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News from Wonderbox Publishing.

2018 Opening Up Digital Fiction Writing Competition Winners

2018 Opening Up Digital Fiction Writing Competition Winners

Judges’ Prize Digital Fiction


Dolores and the Cave by Magda KnightDolores and the Cave by Magda Knight



You have your team, your caving gear, your equipment. You’re all set to descend into a previously unexplored cave – the find of a lifetime. But as you abseil down you hear the rumble of a cave-in, and that’s the last thing you remember.

Then a voice starts talking to you in the dark…


Dolores and the Cave is a ten-minute horror game with nine different endings to explore.

Don’t worry, Dolores.

Everything will be just fine.

Honourable Mention

The Shootout by Alan Bigelow

The Shootout is an Old West adventure with an animated comic strip and the reader’s choice of ending. A narrator leads us through the story and, when he falters in his narrative, is prompted by the reader (via touch or mouse click) to continue.

An audio track is included which echoes and accentuates the action on each page.

End user interactivity in this work is a combination of swipes (or use of the space bar or arrows on a keyboard) with various opportunities for touch (on a tablet or phone) or mouse click (on a desktop or laptop). The piece includes a reader’s choice of ending which is selected through touch or mouse click.

This work is built with HTML5, CSS, and JavaScript and playable on desktop, laptop, and portable devices.

People’s Choice Digital Fiction


This is a Picture of Wind by J. R. Carpenter

This is a Picture of Wind expands upon a series of short texts written in response to the winter storms which battered South West England in early 2014, resulting in catastrophic flooding in Somerset and the destruction of the seawall and rail line at Dawlish in Devon. Following the news in the months after these storms, I was struck by the paradox presented by attempts to evoke through the materiality of language a force such as wind which we can only see indirectly through its affect. I began to explore weather in all its written forms.

Part poetic almanac, part private weather diary, and part live wind report for the South West of England, this work attempts to call attention to climate change by picturing through variations in language the disturbances and sudden absences left in the wake of wind.

This work is designed to be read on phones but also works on computers. It calls on live wind data, so it will look different every time you view it. A new text will be added for each month of 2018. A text about this work written by Johanna Drucker will be published in March 2018.

Honourable Mention

St. Ives by Storymax
Android / iOS

To teach and have fun at the same time, St. Ives introduces the traditional English poem “I was going to St. Ives”, transforming the lullaby, with cute and fun characters: one man, seven women and cats, a lot of cats!

This song is also known as a puzzle and encourages children to use logic concepts and deduction skills to discover how many people were truly going to St Ives.

Besides the music, the rhyme and the puzzle, in this app book you can find two activities:

  • A women’s band playing the theme song (the reader can choose the instruments)
  • And a quiz that brings the attention of the readers to the characters that appear in the narrative

Student Prize


War of the Worlds 2017 by Liam Philipson

War of the Worlds 2017 is an examination of the modern US political climate through the lens of the classic Wells novel. When cylinders from an alien world set up shop on a defenseless Earth, Carrie, a shy art student, must make the perilous trek across a Martian-controlled New York to try and reach her brilliant girlfriend, trapped in a bunker underneath her NYC school.

WoTW2017 explores the all-too-familiar feeling of a news cycle out of control and the pressing concern that the people who have, against all odds, planted themselves in charge of world affairs might be both malevolent and unprepared for their responsibility. It also tries to be compelling science fiction on its own, adapting and modernizing Wells’ work where necessary while keeping true to the spirit and the imagery of the original.

Honourable Mention

Lysdexia by Matthew Kramer

This web comic works to explain dyslexia while attempting, to re-create the feeling of experiencing it.

Children’s Digital Fiction Prize


Storymax App by Storymax
Android / iOS

To read with pleasure and for those who enjoy reading. With this motto, the awarded publisher StoryMax launches this app that brings together all their stories already published (for free and paid) and starts a new journey.

StoryMax’s app books retell classics, popular narratives and poems with original texts and adaptations, sound effects, narration and interactivity in the right amount to engage children and young people who love to be immersed in experiences that start at their favorite devices: tablets and smartphones.

Honourable Mention

Inanimate Alice: Perpetual Nomads by Mez Breeze Design & Bradfield Narrative Designs

Inanimate Alice tells the story of a girl growing up dreaming of becoming a game designer one day. Uniquely, it is a tale of progressive complexity, each episode reflecting Alice’s age and digital competency as she grows up.

In Perpetual Nomads, Alice is stuck on a broken down Autobus and finding herself alone in the middle of the desert with a rapidly dying phone battery, what’s Alice supposed to do? Who can Alice trust to help her charge her phone, fix the AutoBus and get her on her way back home?

The 2018 Opening Up Digital Fiction Shortlist Is Open for Voting!

The 2018 Opening Up Digital Fiction Shortlist Is Open for Voting!

The shortlist has been posted, and the voting is open until 30 July 2018 for the People’s Choice award for the 2018 Opening Up Digital Fiction Writing Competition. Go have a read of some great digital fiction, then let us know which one you think deserves the top spot.

Share far and wide – everyone deserves good digital fiction!

Normal Deviation is in Print!

Normal Deviation is in Print!

Normal Deviation Cover

Buy it on Amazon now!

It’s here! We launched Normal Deviation this past Saturday (write-up to follow on the Normal Deviation blog; visit our Facebook page for a video of the livestream), to much applause. It’s been a fantastic learning curve, but we’re so happy to have the book out on time, with 24 absolutely fantastically weird stories.

It’s available in all Amazon stores in paperback and ebook. Get your copy, leave us a review, and let us know how you like it!

Short Fiction Anthologies, Digital Fiction Podcasts, and More!

Short Fiction Anthologies, Digital Fiction Podcasts, and More!

Kickstarter campaign promo
Click to go to Kickstarter

It’s been a busy, busy, busy few weeks here at Wonderbox. DeAnn Bell and I are drawing down to our final days working with Normal Deviation, our short story anthology of weird fiction based on that super-strange image, and the Kickstarter campaign for it is well underway. If you want to get a taste of the stories, hop over to Kickstarter and back us: if we can get to £1000 by Wednesday 2 May, we’ll preview a short story for backers only!

Wonderbox Podcast

On the podcast front, Jordan Glendenning and I have released a steady stream of episodes on digital fiction in the last few weeks, starting with a discussion of the works you see around the web that you might not have identified as digital fiction. We just recorded our discussion on what it takes to write digital fiction, and we still feel like we’ve barely scratched the surface! So if you’re interested in learning more about digital fiction, and engaging in our ongoing chat about it, head over to the Wonderbox podcast, subscribe, review, and share!

We’re always interested in feedback, in posting reviews of works, and suggestions. Post a comment, drop us a line, and let us know what’s going on!

Normal Deviation’s Kickstarter Campaign Has Launched!

Normal Deviation’s Kickstarter Campaign Has Launched!

Kickstarter campaign promo

Just a short announcement post on our Normal Deviation Kickstarter campaign. In case you missed it, we’ve spent the last year putting together a short fiction anthology based on one very weird picture (as you can see).

We’ve collected some fantastically weird stories from a seriously rad group of writers, including Olivia Berrier, Josephine Bruni, Dan Cox, Josh Dygert, Sam Hirte-Runtsch, Jonathan Howard, L.G. Keltner, Chris LoudAmanda Marples, Charlie Wilson, Cath Barton, Jetse de Vries, Joanna Michal Hoyt, Dean Knight, Molly McLellan, Arathi Menon, Jesse Rodriguez, Nicola ThompsonEmma Venables, and Clare Weze. Oh, and DeAnn and I wrote stories, too!

The campaign, if funded, will help us afford to pay our authors at least semi-pro rates for the stories, something that as a fledgling company we wouldn’t be able to do otherwise. It will also give us some room to print hard copies in advance of our book launch.

We’re offering some fun extras, including donation copies of the anthology to libraries, copies of the Blue Pencils anthology, and some hand-made cone-head crafts – because why not?

Please join us, and share to all you know!

What’s happening in the box of Wonder? Oh, so many things!

What’s happening in the box of Wonder? Oh, so many things!

We’ve been quiet for a while here not because we’ve fallen off the Earth (it’s flat now, have you heard?), but because we’ve been spectacularly busy!

We’ve got several projects on the go: the Opening Up Digital Fiction Writing Competition, our Normal Deviation anthology, a brand new Wonderbox podcast, and more Hyperstories on the way!

Opening Up Digital Fiction Writing Competition

Opening Up Digital Fiction Writing CompetitionThe 2nd annual contest closes tomorrow (15 March), but we’ve already gotten a slew of entries from all over the world, in all kinds of different formats. I can’t wait to go through them all and see what we’ve got. We’ll be shortlisting over the next couple of months, with winners announced in July.

In the meantime, why not have a look at last year’s winners and shortlist – there are fantastic works in there from Alan Bigelow, Kaitlyn Ensley, Dean Hammer, StoryMax, Robin Johnson, Phantom Williams, Lynda Clark, Serge Bouchardon, Mez Breeze & Dreaming Methods, and more.

Normal Deviation Anthology

Normal Deviation anthologyIt’s almost there! All the stories are in and edited to perfection. DeAnn and I are about to sit down and puzzle over the best order, along with font choices and all the ephemera that is involved in pagination, bios, and intros (maybe an outro?). We’ll be re-launching our Kickstarter to support the anthology in April, and expect to release in May, so keep an eye on this space and/or subscribe to our Normal Deviation mailing list.

The Wonderbox Podcast

Wonderbox PodcastI’m pretty excited about this one. I’ve been wanting to do a podcast for ages, but could never pin anyone down to chat with me/keep me from making each episode 3 hours long. Jordan Glendenning, a digital writer and one of my PhD students, is luckily just as enthusiastic about podcasts as I am, and a lot better at timekeeping.

This twice-monthly podcast will delve into all things digital fiction – what is it, where is it, what are the cool things it does, what role is it playing in culture, and just about anything else we can think of. Have a listen whether you’re new to digital fiction, or you’re a digital writer/researcher yourself – we hope everyone will find something interesting and entertaining in it. Subscribe on iTunes, Stitcher, and Podbean (or through your preferred podcast app).


The Pyxis MemoI have more hyperstories in the works, building on The Futographer and my latest, The Pyxis Memo. We had a fantastic 24-hour Create-a-thon last week, and I spent a good 12 hours of it brainstorming my next hyperfiction/ebook hybrid: Death After Death. The ex-geneticist geek in me even got to Punnet Square the number of possible endings I’d created for the story (and then backtracked quickly – 1024 is ambitious, even for me!).

These hyperstories are the key focus of Wonderbox’s current publishing aims, so if any writer out there has work (such as Twine games) that you could envision becoming an ebook, get in touch.

For the Future…

As many may know, my vision for Wonderbox isn’t just for it to be a review site and publishing imprint. The ultimate goal is to create a marketplace arm where digital writers (of any and every genre and development platform) can self-publish their work – the Kindle Direct Publishing of the digital fiction world, as it were.

Toward that end, I have various funding applications out, in order to develop the site, provide server space for hosting the works, market them, and bring greater mainstream awareness to the form.

Until these come in, however, we’ll keep doing what we do – reading and writing about great digital and speculative fiction!

Judges for 2018 Opening Up Digital Fiction Writing Competition

Judges for 2018 Opening Up Digital Fiction Writing Competition

I’m so happy that Astrid Ensslin, Bronwen Thomas, and Eben Muse (well, and me) are all returning to judge this year’s Opening Up competition. We had such a great experience last year, and I hope that we can top it this year with even more works of popular/mainstream-appeal digital fiction.

As I stumbled on promotions in December (thanks to two grant applications…the grub-work is never done!), I’ve extended the submission deadline to 15 March 2018. That gives everyone an extra month to make some awesome interactive stories!

We’re changing up the way judging happens a little bit this year, now that we have some great digital creators in our “academy”. Creators who have been previously shortlisted in the competition will be invited to review the submitted works this year, and offer their own shortlists for each category. This will make up the shortlist for the competition, and the judges will choose the finalists. We wanted our creators to have more voice (outside the People’s Choice) category.

So get ready for a great Spring season full of fantastic new works of digital fiction!

Hyperbooks & hyperstories: That’s kind of our thing

Hyperbooks & hyperstories: That’s kind of our thing

New hyperstory release:

The Pyxis Memo: On Resurrecting the Free Web” (a hypertext in eBook form)

The Pyxis Memo
The Fracture of 2018 ended the United States as we know it. The fear, the violence, the bombs…where did it all originate? And can the box of destruction be closed once it’s been laid open?

As I’ve mentioned in previous posts, Wonderbox is my little experimentation baby. I’m a writer and researcher in digital fiction, and in the past couple of years I’ve been questioning more and more why this fascinating, nubile, agile form of narrative hasn’t really hit the mainstream, despite almost 3 1/2 decades of creativity, sharing, and growth. So I turned my research and creative activities to publishing.

If you’ve had a squiz at the Wonderbox website, you may have noticed under “Projects” is a listing for Hyperbooks. This is my creative + publishing experiment to see if I can bring new (paying!) audiences to digital fiction through the established and thriving marketplace of eBooks. Why not? They’re already hypertextual!

I published my first “hyperstory”, a short hypertext in eBook form, last year about this time: “The Futographer“. I haven’t pushed it much, but my mom likes it, so there’s a ringing endorsement for you. It’s always been my aim to write something my mom would “get”, and not need me to walk her through it (she liked my previous interactive fiction, but it was definitely a guided tour).

Of course, this is the same woman who follows her “I love yous” with “I guess somebody has to.” Take her endorsement as you will.

Anyway, I’ve just released my latest hyperstory, “The Pyxis Memo: On Resurrecting the Free Web“. It’s not as straightforward, and my mom hasn’t read it yet, but my husband has, and he liked it, so there’s another ringing endorsement for you.

My goal with these hyperstories is to establish a niche for these works in eBook marketplaces. Start small, go big. Through the smaller texts, I’ve been learning the best ways to code my XML files so the hyperstories function as closely to online hypertexts as possible (yeah, there will be an academic paper or two out of this at some point), and hopefully building a little audience of awareness for them, so that when I finally work my magnum opus out (it’s coming, trust me), it will function brilliantly and beautifully and make me the next J.K. Rowling. Or, at least, I hope it won’t suck.

There you have it. Check out “The Pyxis Memo”, and let me know what you think (#PyxisMemo).

Opening Up Digital Fiction Writing Competition 2.0

Opening Up Digital Fiction Writing Competition 2.0

Deadline for submissions: 15 Feb 2018

Announcement of winners: 31 July 2018

Entries accepted in English and Welsh.

Wonderbox Publishing, in conjunction with Bangor University (Wales), is sponsoring the second annual competition to discover the best “popular” digital fiction: digital fiction that appeals to mainstream audiences.

See last year’s winners here!

Digital fiction is fiction that is written to be read/played on digital devices. Importantly, digital fictions are different to e-books. Rather than existing as a digital version of a print novel, digital fictions are what are known as “born digital” – that is, they would lose something of their form and/or meaning if they were removed from the digital medium.

For example, they may contain hyperlinks, moving images, mini-games or sound effects. In many digital fictions, the reader has a role in constructing the narrative, either by selecting hyperlinks or by controlling a character’s journey through the storyworld. Digital fictions therefore require that the reader interacts with the narrative throughout the reading experience. Hypertexts, text-adventure games, multimedia stories, interactive video, literary games, and some mobile apps are all examples of types of digital fiction.

See our Digital Fiction Resources guide here.

There are no restrictions as to types of software you can use to produce digital fiction; everything from HTML, Adobe Flash, Inform7, Twine, YouTube, Twitter, and more have been used to make digital fictions. For the competition, please submit links or files that are openly accessible on any computer (Mac or PC), and that will run in a web browser.

Wonderbox Publishing is a new publishing endeavour that seeks to provide commercial space to digital fiction, and the Opening Up Digital Fiction Writing Competition is therefore designed to expand digital fiction readership to include a broader segment of the public. Therefore while the competition is open to all writers (rookies and veterans) and all types of digital fiction, we are seeking entries of works that are broadly accessible, both in terms of intended audience and device compatibility.

This competition is funded through a Bangor ESRC Impact Acceleration Award, in partnership with Wonderbox Publishing, Literature Wales, and Jisc Wales.

The prize categories are:

  • Judges’ Prize
  • People’s Choice
  • Welsh Language Prize*
  • Student Prize
  • Children’s Story

*Welsh language entries are eligible for all categories.

Winners will receive a cash prize (to be announced) and an option to publish with Wonderbox Publishing.

For ongoing details of the competition, please watch this space, and subscribe to updates!

Ready to submit? Click here!

Opening Up Digital Fiction

Opening Up Digital Fiction

As part of the AHRC-funded Reading Digital Fiction research project I’ve had the privilege of working on, I recently hosted the Opening Up Digital Fiction Writing Competition. The competition was a key element to meeting one of the research project’s aims: to introduce more readers to digital fiction.

With that aim in mind, we sought out “popular” digital fiction — the DF equivalent of “commercial” fiction. We wanted works that would appeal to mainstream audiences, which at this point, generally aren’t even aware there’s such a thing as digital fiction, much less have preferences or favorite authors. Ideally, we wanted to build a list of generally accessible digital fiction that the general public would not only understand, but like.

The competition was a wild success in this regard. We were amazed to receive works from all around the world (24 countries!), from established digital writers to university students to families working together. The range of styles and forms and platforms was astounding; no two works were similar, and all made use of the digital medium to integrate reader and narrative.

The shortlist provides a strong reading list of the types and varieties of digital fiction currently being made; the list of winners shows the quality of writing that goes into these works. Any reader new to digital fiction (as well as those experienced in DF!) could make a fantastic start with these lists.

As for the competition itself, my current goal is to find some follow-on funding in order to keep it going, transferring it over here to Wonderbox. I want to continue building on the great works submitted this year, encouraging new and experienced digital writers alike to develop works that can eventually slide into a commercial publishing stream (which is one of the core aims of Wonderbox).

So stay tuned — we should have updates and a new call for submissions soon!