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Month: December 2017

Hyperbooks & hyperstories: That’s kind of our thing

Hyperbooks & hyperstories: That’s kind of our thing

New hyperstory release:

The Pyxis Memo: On Resurrecting the Free Web” (a hypertext in eBook form)

The Pyxis Memo
The Fracture of 2018 ended the United States as we know it. The fear, the violence, the bombs…where did it all originate? And can the box of destruction be closed once it’s been laid open?

As I’ve mentioned in previous posts, Wonderbox is my little experimentation baby. I’m a writer and researcher in digital fiction, and in the past couple of years I’ve been questioning more and more why this fascinating, nubile, agile form of narrative hasn’t really hit the mainstream, despite almost 3 1/2 decades of creativity, sharing, and growth. So I turned my research and creative activities to publishing.

If you’ve had a squiz at the Wonderbox website, you may have noticed under “Projects” is a listing for Hyperbooks. This is my creative + publishing experiment to see if I can bring new (paying!) audiences to digital fiction through the established and thriving marketplace of eBooks. Why not? They’re already hypertextual!

I published my first “hyperstory”, a short hypertext in eBook form, last year about this time: “The Futographer“. I haven’t pushed it much, but my mom likes it, so there’s a ringing endorsement for you. It’s always been my aim to write something my mom would “get”, and not need me to walk her through it (she liked my previous interactive fiction, but it was definitely a guided tour).

Of course, this is the same woman who follows her “I love yous” with “I guess somebody has to.” Take her endorsement as you will.

Anyway, I’ve just released my latest hyperstory, “The Pyxis Memo: On Resurrecting the Free Web“. It’s not as straightforward, and my mom hasn’t read it yet, but my husband has, and he liked it, so there’s another ringing endorsement for you.

My goal with these hyperstories is to establish a niche for these works in eBook marketplaces. Start small, go big. Through the smaller texts, I’ve been learning the best ways to code my XML files so the hyperstories function as closely to online hypertexts as possible (yeah, there will be an academic paper or two out of this at some point), and hopefully building a little audience of awareness for them, so that when I finally work my magnum opus out (it’s coming, trust me), it will function brilliantly and beautifully and make me the next J.K. Rowling. Or, at least, I hope it won’t suck.

There you have it. Check out “The Pyxis Memo”, and let me know what you think (#PyxisMemo).

Review: Mark Z. Danielewski’s The Fifty Year Sword

Review: Mark Z. Danielewski’s The Fifty Year Sword

The 50 Year Sword Cover

The Fifty Year Sword
by Mark Z. Danielewski
2005
Book


Autumn is finally in the air; the smell of coal fires litter the evening air where I live, the leaves are turning to rich golds and warm umbers. Either joyfully or annoyingly (depending on your opinion of the matter) everything is pumpkin spiced, and you can more than likely find me holding a pumpkin whilst telling the Christmas crowd to back off.

Are you settled? Warm socks and a steaming mug of whatever takes your fancy?

Because you have a date with “a bad man with a very black heart…”

The Fifty Year Sword is at first glance an exquisite looking book; however, it holds something quiet, something menacing within its pages and under its jacket. The story is told by five speakers, differentiated by coloured quotation marks, and is told entirely in dialogue.

Chintana has decided to attend the 50th birthday party of Belinda Kite, the woman with whom her husband had an affair. A storyteller comes to the house to entertain five orphans with a dark tale where they traverse through The Valley of Salt, amongst The Forest of Falling Notes, scaling the Mountain of Manyone Paths to reach the Man With No Arms.

If I were to tell you any more than that, it would give away too much. Danielewski is renowned for his ability to juxtapose imagery and narrative to create a non-trivial text and The Fifty Year Sword is a wonderful welcome into this world if you haven’t yet delved into it.

The narrative draws you in; the dialogue that is crossed between and cut amongst provides it with a quickened pace. The visuals of the seemingly sliced pages, the stitched embroidery providing you with a sense of connection all add to the overall experience, everything in Danielewski’s worlds is done deliberately with deep thought and finesse.

Some find this kind of literature as gimmicky, rather pretentious and occasionally not worth taking the time to read. First printed in 2005 with a limited edition run of 1000 copies, and then another run several years later, it has proved itself to be a cult favourite. Relying on intricate, woven language and the depths of the reader’s mind rather than unnecessary depictions of violence, it is a much more successful tale for the ages.

Ergodic fiction is continuously growing, changing and adapting to new various platforms. With these changes come new methods of becoming immersive, of providing an all-round experience but if you’re daunted by the scale of that or unsure where to start, then The Fifty Year Sword is an excellent doorway in.

This book is more than a ghost story told on Hallow’s Eve and more than a fairy-tale to be forgotten.

The last question to be asked: What will happen on your fiftieth birthday?